field notes (5.1.17)

Happily, I have resumed taking photographs on my DSLR. When I purchased my smartphone last year, my use of my DSLR plummeted: the smartphone camera was just so much more convenient. But, I’ve missed my DSLR. This past month, I’ve slowly worked it back into rotation. It has bought me unexpected joy. Using my DSLR,  I’ve noticed that I am much more careful in setting up my shots, much more aware of capturing special moments. My eyes work differently.

I am working to change my thinking surrounding my DSLR and smartphone camera: My DSLR is for capturing moments and memories of my family and friends. My smartphone camera is for collecting visual ideas and notes.

I attended the Western Washington SCBWI conference in Seattle in early April and I am still sifting my notes, considering the new ideas and connecting with fellow writers and illustrators. Grateful to learn from Patricia Hruby Powell, Melissa Manlove, Kazu Kibuishi, Stephanie Pitts.

Takeaway: Go with your gut.

The world looks so different when we remember we are an energy, not an image.” – Sarah Neuberger

Good composition is merely the strongest way of seeing.” – Edward Weston

Loving the phrase, “drawing words and writing pictures” as I awake and embrace my visual self more and more each day

Watching: GHOSTBUSTERS, LOST IN TRANSLATIONOLIVE KITTERIDGE  (in that order and unintentionally studying Bill Murray over the years. The man is brilliant.)

Reading: THIS BRIDGE WILL NOT BE GRAY by Dave Eggers (I’ve always wondered how to write a book, and now that I’ve read this one, I know), THE DESIGN OF EVERYDAY THINGS by Don Norman, THE PASSION OF DOLSSA by Julie Berry, AS ALWAYS, JULIA: THE LETTERS OF JULIA CHILD AND AVIS DESOTO by Joan Reardon (which made me appreciate my closest female friendships even more), PICTURE THIS: HOW PICTURES WORK by Molly Bang, UNDERSTANDING COMICS by Scott McCloud, BRIGHT DEAD THINGS by Ada Limon (and now I want to read all her books of poems.)